Thresholds. Rethinking Spirituality Through Music. Hampshire: Ashgate, 2008.

‘Dionysos danst met Miles Davis. Van het schone naar het sublieme via muziek’ (forthcoming)

‘Improvisation: Between the Musical and the Social’, Dutch Journal for Music Theory, Vol 14, no.1. February 2008.

‘Drie meditaties over stilte, muziek en spiritualiteit’ [Three meditations on Silence, Music, and Spirituality], in: H.J.A. Hofland (ed.) De grote stilte. Budel: Damon, 2007, pp. 73-88.

‘Music and Spirituality. 13 Meditations around George Crumb’s Black Angels’, CR: The New Centennial Review, 7.1, 2007. pp. 181-211.

‘The Trojan Horse. Epistemological Explorations Concerning Practice Based Research’, Dutch Journal for Music Theory, Vol 12, no.1. February 2007. pp. 18-33.

'Music and Network. The Becoming Insect of Music', in: Music and Network. Belgrade, 2005.

'In(-)formations. The Meaning of Paratextual Elements in Debussy's Syrinx', in Musicological Annual volume XLI, no. 2. Ljubljana, 2005.

'De (post)moderne muziek van Edgard Varèse' [The (Post)Modern Music of Edgard Varèse], in: Baetens, e.a. (ed); Een ander meervoud. Leuven, 2005.

'Fragmenten – stilte, voor Derrida' [Fragments – Silence, for Derrida], in: Heyerman, e.a. (ed); Welke taal spreekt de muziek? Budel, 2005.

'Noise and Ethics. On Evan Parker and Alain Badiou', Culture, Theory and Critique 46 (1). London, April 2005.

Education up for and under Discussion. 24 Meditations on Music Education in the 21st Century (editor-in-chief N. Smit). The Hague, August 2004. Meditation [1], [2], [3], [4], [5], [6], [7]

'Ethics and/in/as Silence', Ephemera volume 3, no. 4. November 2003.

'De ethiek van jazz' [The Ethics of Jazz], Nederlandse Jazzdienst, October 2003.

'Between Self and Other - A Deconstructive Sea'. New York, October 2003.

'John Zorn's muziek bestaat niet' [John Zorn's Music Doesn't Exist], Holland Festival Program. Amsterdam, June 2003.

'Music and Deconstruction. The Jacques Derrida - Gerd Zacher Encounter', New Sound #21. Belgrade, May 2003.

'Creativity and Ethics – in Deconstruction – in Music. Intermezzo' (co-author Prof. G. Finn), Echo 4.2. Los Angeles, Fall 2002.

Music and Ethics (ed), Dutch Journal for Music Theory, volume 7, no. 3. Amsterdam, November 2002.

'Verkenningen van/in een muzikale ruimte. Over Peter Sloterdijk en Edwin van der Heide' [Explorations of/in a Musical Space], Interacta 5. Rotterdam, September 2002.

Deconstruction In Music. Ph.D. dissertation. Rotterdam, 2001.

'Dutch Ensemble Culture,' New Sound #15. Belgrade, April 2000.

'Met zinnen spelen: verdeel en heers? Over intermedialiteit' [Playing With Sen(ten)ses: Divide and Rule? On Intermediality], Interacta 2. Rotterdam, April 2000.

'Naar een Centrum voor Actuele Muziek in Rotterdam. Idealisme versus pragmatisme' [Towards A Center For Contemporary Music In Rotterdam. Idealism vs. Pragmatics]. Rotterdam, November 1999.

'Deconstruction and Comprovisation,' New Sound #13/14. Belgrade, April 1999.

'Dionysos' dans in Blauwbaards Burcht' [Dionysus' Dance In Bluebeard's Castle], Jonas. Amsterdam, September 1996.

Dionysos danst weer. Essays over hedendaagse muziekbeleving [Dionysus Dances Again. Essays On Contemporary Musical Experiences] (co-author Dr. R. Welten). Kok Agora, Kampen, 1996.

'Postmoderne muziek: kritisch pluralisme en positieve aandacht voor de geschiedenis' [Postmodern Music: Critical Pluralism and the Positive Attention To History], Mens en Melodie. Meppel, June 1996.

'De terreur van het oog' [The Terror of the Eye], De Groene Amsterdammer. Amsterdam, January 1996.

'Habermas als Scheidsrechter van de postmoderne muziek' [Habermas As the Arbiter of Postmodern Music], Mens en Melodie. Meppel, January 1996.

'Deconstructie in de hedendaagse muziek' [Deconstruction In Contemporary Music], Rumor Reader nr.3. Rotterdam, July 1994.